I suppose it's pretty subjective. I think two full seasons in F1 should qualify for "experienced" status, and five seasons should put a driver in the "veteran" category. One should also consider their pre-F1 racing achievements, however, like Bourdais' four Champ Car titles, and Glock's Champ Car and F1 test experience.
But I don't like the idea of a budget cap being imposed on some teams and not on others. Budget caps should be universal, not discriminatory, and Mosley's dream 30M Euro budget is just unrealistc. He says his advisors think it should be more... well, he should listen to them.
I wonder how Lola will come into play? I doubt they have the money to field a team of their own, so they'd probably be supplying the chassis and aero to another team. Perhaps Prodrive will adopt Lola and stick an Aston Martin engine in it.
All the tracks that were touted as KERS tracks have been disappointing for KERS team so far (Malaysia and Shanghai). I think you're right not to expect much from KERS in Bahrain, even though it should theoretically be advantageous.
Does anyone think that there will be some massive T1 action between P4 to P11? There is an interesting mixture of oddly weighted KERS and non-KERS cars mixed in there.
I think his stint at BMW was a try-before-you-buy loan from Red Bull. Vettel was very fresh at the time. Red Bull didn't want to risk Vettel in their "big" team, but BMW needed a committed 3rd driver since Glock was occupied with GP2. Red Bull loans Vettel to BMW to be BMW's 3rd driver, and scores a chance to gauge Vettel's talent before plugging him into one of their own cars.
You don't have to be an ass to be a world champion.
Damon Hill was apparently a nice fellow, even with his champion status. Jackie Stewart was no snot, but he won three championships (and a knighthood). There are more.
Whether because of his age or his relatively sheltered racing superstar upbringing, Hamilton has said some things which were purely rude. When he is polite, it feels contrived. Vettel has the ability to sound polite and sincere. Reality or perception? Who knows, we don't live or work with these drivers. But the difference in perception has nothing to do with media coverage (Vettel got plenty at BMW, STR, and now RBR) or the status of their teams, but it's the way they present themselves to the public and to the sports media.
Without doubt, Vettel is not without flaws. He seems to be make judgemental errors when racing. Too hard-nosed, like Hamilton. But unlike Hamilton, Vettel is willing to apologise, even to his own detriment. That sort of redemptive attitude gives him a one-up on Hamilton in the "nice bloke" scorecard.
To determine driver skill, I think it's reasonably fair to use the proportion of points earned by a driver for their team during a season.
Here comes some number crunching. I'll use only unweighed 2008 and 2009 scores (by "unweighed", I mean the percentage values from both years will have equal significance, despite that the current season is still under progress). For teams with no points in either season, I've calculated the ratio on the basis of average race classifications.
There are some odd ones (eg. Kubica, Raikkonen, Buemi, Button). The results get thrown if people are paired up with really good or really bad team mates, or had a season in a backmarker team.
So in this year's lineup, first ordered by aggregate percentages of two drivers in the team, and if the aggregate is equal to another team, then ordered by the team containing the highest percentage-scoring driver:
Red Bull = 132
Renault = 100 (Alo. 88)
Williams = 100 (Ros. 83)
BMW = 100 (Hei. 72)
Brawn = 100 (Bar. 60)
McLaren = 100 (Ham. 57)
Ferrari = 100 (Mas. 56)
Toyota = 100 (Tru. 51)
Force India = 100 (Fis. 51)
Toro Rosso = 93
Well, the question is, will it be a BIGGER step forward than the other teams? Everyone takes forward steps in F1, it's a matter of how big the step is.
I think Renault will be angling for the biggest step in Spain.
LFS sim experience means jack all. LFS doesn't simulate aero turbulence, which influences the behaviour of F1 cars a lot when they try to overtake each other, nor does LFS simulate flat-spots in terms of chassis vibration and its affect on drivers, and LFS's tyre simulation is much more forgiving than F1 tyres. And finally, LFS doesn't simulate fear!
He did a pretty good job with Kate's Dirty Sister.
No worries. To explain in the simplest possible terms:
Battery-driven KERS use a battery to store the energy. The charge stored in the batteries drives a motor to provide more power to the driving wheels.
Flywheel-driven KERS use a rotating flywheel to store the energy. When the rotational speed of the flywheel is forcibly slowed down, the energy is transferred to the car's driving wheels for more power.
Glock, Buemi, and Sutil deserve honourable mentions. Glock made up 12 places, the son-of-a-gun! Buemi comprehensively destroys Bourdais' reputation... again. Sutil: a great drive ends in tears... again.
Criminals generally re-offend if they are not rehabilitated. Pirates are the same.
However, most "pirates" are otherwise honest consumers. If the price is reasonable, they'll buy. At the moment, the prices for movie DVDs and music CDs are not reasonable (in my opinion, of course).
IMHO, the recording companies can just disappear and the music industry will be just fine as long as rights to artists' music is transferred to appropriate rights holders under new contracts. Artists can hire producers to record their albums, and sell those albums to distributors for retail sale. For concerts, artists can hire their own promoters and organisers whose business is specifically for running and promoting concerts. Just those two separate arrangements can cut out the record company in the middle. At the moment, the business model for music artists and record companies is that the record company owns all rights to an artist's music, and does everything from organising concerts to publishing and distributing CDs, while scoring themselves hefty commissions and up-front payments - in return for minimal benefit to the artist, and hight prices for the consumer due to the magnitude of commercial risk that record companies take upon themselves. It's a laughably flawed model, but the industry juggernaut is too big to adapt such a radical change; not to mention that record companies won't be happy to be left out of the loop!