I reckon the only reason Pegg's doing this is because Peter Serafinowicz got to do Darth Maul's voice. Then again Simon Pegg did that shit film for David Schwimmer last year so maybe he's just happy to take the pay check.
Yep it looks like yet another crap action-adventure blockbuster with a famous brand name stamped on it. Next one will be Space balls I suppose.
If someone really has to reboot something, let's do it to Kubrick's mind, so we can see a serious filmmaker kick some executives' asses around once more.
He would just change the tastes of everybody again. I sincerely hope a new Kubrick shows up within my lifetime or I'll be forced to pass for one of those oldies who only seem to like old things and dislike new ones for the sake of it.
If you're expecting Kubrick out of a Star Trek film, you're looking in the wrong place.
And there are plenty of directors as good as if not better than Kubrick working today, but you're right in that there are very few who are working on "big" movies.
Star Trek has always been more on the fantasy side of things (though not as much as Star Wars), but this looks like badge engineering. Or how do they call when the studios take an old household name and glue it on something that has little or nothing to do with what the name used to represent?
The very fact there is little or nobody who is able to affect the tastes or redefine genres in the way he did, means none of them is as an important director as Kubrick was. That doesn't mean there aren't good directors, mind you. It's just about as the same as to say that after the Beatles there were very few groups (some would say none) that were able to change the history of music in a such significant and all so evident way.
They are niche. Kubrick was universal.
We are talking about a person who, with little interest whatsoever in SF, took a genre that on screen was made of giant ants that kidnapped beautiful women, and turned into thought-provoking art.
Star Trek maybe didn't ascend to the dizzy heights of art, but nonetheless it started out as a pulp-y TV series and turned into something that was more significant than that. Should I point out that in TOS we see for the first time on the TV screen a crew whose members are not strictly white americans?
Anyone who would make the mistake to think that the name Kubrick has nothing to do with Star Trek, is clearly lacking an historical perspective of the genre. Or, in the case of AlienT, is vainly trying to pass for a youngster
I nodded all the way through that paragraph. I think you are bang on with the metaphor. Saying that X director isn't as good as Kubrick, is like saying that Y band isn't as good as Elvis.
When people like Kubrick were making movies, the medium was like putty, ready to be bent and moulded. Nowadays the foundations are set and real achievement comes with what you do with that legacy. Instead of judging young artists by such an unjust comparison, we should be judging them on how they take that influence and make it their own. We are no longer forging the artform, we are perfecting it.
That's what Hollywood does best. That's why they regularily give all their awards to foreign filmmakers like Danny Boyle.
Have you not seen any Cohen Brothers films? They don't have the visual purity and single-mindedness that Kubrick had, but their films are beautiful and clever, and - amazingly - they're still making American drama look innovative.
Terry Gilliam is another big favourite of mine, American Director-wise.