I had a look in this thread for the first time the other day and spent a good time being blown away by the quality and content of a lot of the pictures on show.
Yeah, the 80-200/2.8 hasn't got the smoothest bokeh unless I get closer. That was @ 170mm, the subject about, dunno, 10-20 meters away, heavy rain with high enough shutter speed creates those small highlights which makes it look even stranger. (1:1 crop attached for your curiosity). For foreground bokeh I would not consider this lens as the prime candidate.
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Shooting wide open does make the bokeh highlights round but lenses with good bokeh are known for the smooth edges around highlights and more gradual shifts from highlights without strange halos.
Or that's how I see a good bokeh lens.
Lightness falloff in corners when shooting wide open does happen with some lenses more or less but that's simply a side effect of the particual optical design and does not correlate to bokeh smoothness whatsoever.
If you change the 'fruit' to 'ROI' or 'economy' or any other buzzword you are making a cheesy emotional disconnection between the elements and that kind of crap goes down well in marketing.
It was my first event like that. Never have been shooting before in such a very bad light conditions. Not much even for 1.8F
We had company party celebrating 5 years of the project (Outsourcing for Verizon Business) with costumes (must express someone from 18 century and older).
Here's the 1000mm lens, disassembled at the repair guy's shop:
Bottom pic is of the loose screw. Turns out several of the internal light baffles had also come loose. The optics look excellent, though. Repair guy is going to fix the baffles, re-tune the focus mechanism, and clean the glass.
Hmm, what can I say... One of your best sets possibly?
I liked the more aggressive approach in these. The framing, tilting and general action seemed more in-your-face. Not sure if anyone else feels the same.
in these last 2 galleries ive been experimenting with different postprocessing methods, because it was nothing that would really matter - I guess i'll stick to my standard method on next rally though - I'd like to keep those "more realistic".
if he is using any of the (semi)auto modes, adjusting the aperture wont really change that, he'd have to go to manual and adjust both - aperture and exposure accordingly. But tbh it wouldnt get much better, because the dynamic range is too big. That's why i prefer rain on rallies - nice soft light without harsh shadows and reflections.