Mike, I built my rockery in Chicago out of field stones I stole from the edges of fields in Wisconsin. The farmers up there seemed more than happy to see the back of them, since all they ever did was damage their farming equipment. We loaded up the back of my Montero a few times and hauled the stones back home. It was surprising how LITTLE stone you could get in the back of a big Mitsubishi 4x4 before the steering began to get a bit light
Jay, you know of Bill Oddie?? As in the ornithologist, former Goodie?? Do they show his stuff on WTTW or something? You're in Aurora, aren't you?
Don, your photos are spectacular, as always! Great shots! I love the candid ones you get of people watching the rallies. They really tell great stories, all of them
Here's a question for everyone.. if I take a photo, I feel okay about adjusting the saturation, exposure, contrast, brightness, white balance etc. I even feel okay about sharpening up the images, when I'm resampling down, just to prod up/maintain the impact of a photo.. but there often comes a point when I'm touching up, where I feel like I've begun to cheat.. where it's no longer the photo that I took, and it's become a photoshop production and no longer anything relating to the thing I achieved with the camera itself.
Since we're all in the digital age, now, and we're not only responsible for taking the photo these days, but also for what happens in the darkroom.. my question is, how far do you go before you feel like you're cheating? How far do YOU go before you start backtracking/hitting undo? Do you use NeatImage to get rid of grain? Do you add vignettes, or burn areas of your image? What's the limit of acceptability before you've broken the thing you've made?