Because there's not much point in arguing with Racer X. All he does is copy paste stuff from dubious websites. And if a forum member actually tried to have a discussion with him in the past, he simply carried on doing the same thing. There's really no point in trying to have a discussion with somebody who is living deeply in their own world full of conspiracies.
I was actually gonna bring up another example from southpark... the episode "mystery of the urinal deuce" where the boys stand in the hallway of the school and kyle is explaining to cartman that 1 forth of americans believe that 9/11 was a conspiracy theory... because every 1 out of 4 americans is a retard (stan, kenny, kyle... cartman (racer X) is a retard... 1 out of 4).
...but i couldn't find the video.
Actually, if you read the posts of Racer X with the voice of cartman in your head, they are pretty funny...
Can we say he's borderline schizophrenic then? He made all these posts acting like a woman, saying girly stuff etc... you gotta be a little coo-coo in the coconut to do something like that IMO.
Yeah, might be true about soft suspension on some models. I had the M030 option in my turbo, was hard as a rock!
And regarding the turbo for daily use, with a good chip installed the turbo lag is almost non-existant (because the wastegate on this car is controlled by the ECU, and with the stock mapping it's not 100% closed when it starts making boost, a better mapping will prevent this and allow it to build up boost pressure sooner and faster). Mine started making boost slightly above 2k rpm and had the same boost as stock (0.75 bar i believe) at slightly above 3k rpm. At 3.8k rpm it had 0.97 bar resulting in 290HP and 400NM (whereas with the stock mapping it would have 0.75 bar at this point).
I gotta stop to reminisce about this car... it makes me sad because i know i'll never find one in the same mint condition again... :bananadea
So yours is an S2?
EDIT: You wrote 2.7l, so i guess not.
I once drove a 944 with poor maintenance history, i can immagine...
They are under rated indeed!
I was very lucky with the one i had... found it with 90'000km, black with black/beige interrior, owner took amazing care of it and it looked like new, for 15'000 swiss francs. I was 24 years old and felt like i had something better than a ferrari.
Today the same car in the same condition would be more like 30'000 swiss francs, probably more... too bad some 70 year old half drunk guy didn't pay attention and drove right in front of me on a country road (coming from a side-road)... tried to avoid the crash by steering into a field at the side of the road... where a landmark stone sliced up the whole underside of the car... at least i have some awesome memories.
Please define "soft slob". I had a 944 Turbo (250hp version). It was anything but a what i'd immagine a "soft slob" would be like. In fact, it was the best car i've ever driven... and i had the chance to drive cars like M3, F360 spider, RX7 FD, S2000, MX5, etc. None felt as good as the Porsche.
Ohh for christs sake, get that sand out of your vagina already. Insults... pfff! You're the one who called me an idiot if i may remind you.
And we're at the same point again... i would have liked to further discuss the topic, since it's actually an interesting one. But i see you're still in the same old mood of yours, so i'm not even going to bother.
I think some of the stuff that they sell to audiophiles might actually improve sound quality, the question is by how much, and if that's worth a few thousand bucks. I think it's roughly the same as with music instruments... you can buy a terribly expensive guitar, which will maybe sound amazing, you can buy a very good guitar for a fraction of the price and it will sound very decent, or you can buy the cheapest in the store and it will sound like crap.
I made the same experiences with audio equipment.
As far as testing what sounds good goes, i have always trusted my ears (personal taste and preference plays a big role as well).
For example the phono-preamp...
Old hi-fi amps are supposed to have good phono stages, but when i listen to the sound results i get with this dedicated phono-pre, my built in revox phono-pre sounds like sh*t in comparison. For example, the stereo image is far more detailed... which is something you can hear instantly, especially when switching back to the inferior unit.
The preamp costs roughly 200 bucks and sounds a lot better than the phono stage of my old hi-fi amp that i payed 700 bucks for. Better sound, reasonable price... equals an easy and justified purchase for me.
On the other hand, there's clearly stuff you can use to burn your money. For example, Grado makes a phono-preamp that costs over 700 bucks. It comes in a nice looking wooden casing and looks the part, while inside, there's a very simple RIAA circuit that can be copied for a cost of around 30 bucks in parts. People say it sounds nice nevertheless, which even might be true... but it's not worth 700 bucks.
I tested a few more phono-pre's before i bought the cambridge one. A few of them were more than double the price, and none did sound as good. So yeah, you can indeed burn a lot of money for so called "audiphile" equipment. On the other hand, some of the stuff really gives noticably better results.
I think i've once read somewhere that when building a speaker and using the best parts available, you'll come to a price limit of around 6k in hardware costs (i believe this was some rough example, no idea how true it is). Or in other words, the best possible speaker should not cost you 50k... but there's tons of speakers in that price range (and did they really put the best hardware inside?). The key with good audio equipment is finding the stuff with the high quality components inside but a simple and inexpensive "casing" around it.
I guess what i'm trying to say is, not every "audiophile" hardware is humbug. Quality components will make a difference, the question is if your 50k speakers with piano finish and diamon flakes in the paint actually have good components inside... and if the sparkly reflections in the paint was really worth another 40k...
There's stuff i clearly avoid when it comes to these kind of products, like stupid expensive cables that sound the same as a 5-10 euro cinch stereo cable. Power bars that provide "perfect" power, when there is no audible difference at all compared to when my equipment is connected to the outlet in the wall of my room (i actually tested a few of those products out of curiosity and took them back to the store the next day).
I'm shaking my head when i see people who use special liquids to "prepare" the needle of their cartridge before playing records, people who grind and polish their CD's at a 45 degree angle to make them play "perfectly" in their CD player, etc. This is the stuff that's made for people who don't listen with their ears, but rather with their eyes and then believe to hear a difference (IMO).
I'm certainly not an audiophile i'd say.
And regarding the digital vs. vinly (analog) discussion...
I believe a high quality digital recording can be superior to the quality of vinyl. Regarding todays technology, i'm sure it's better to record into high quality audio interfaces instead of tape or anything else and then cutting it into vinyl. However, at home people usually play a CD in a CD player (when it comes to a standard hi-fi system)... and in this regard, i still believe a clean high quality vinyl with a halfway decent turntable will sound a lot better (again trusting my own ears here).
Even if we are talking about digital recordings with higher quality than a CD provides, there seems to be a pool of listeners spilt into two big groups... one prefers digital, the other one analog (vinyl). In both groups you'll find educated people with knowledge and understanding of the whole thing on a technical basis. I'm sure there's even a few more toaster developing germans in there somewhere...
I would have been open for a discussion (without having to come to a definite conclusion), but what put me off is the same old "superior" attitude from shotglass because he thinks what he learned at some university is the ultimate truth and that anybody else with a different opinion is either an idiot or an american.
And with that i'm out... making space again for other people to post their material achievements in this thread! :P
I'm not playing anything. I made a cheeky comment about your two times claimed professional skills on this subject matter. I even put a smiley at the end for you.
We still don't know what it is you actually do for work and in which kind of way this is giving you the knowledge/experience for you to say that you are standing above any other opinion/claimed facts/etc regarding this discussion.
Instead of seeing this as some sort of internet argument or game that has to be "played", you could simply stop the kindergarten stuff and explain to us what exactly it is that you know and makes you so certain about your answers. Hint: maybe try explaining your answers, instead of just saying something is bollocks and answering stuff with "no you don't".
I'm not sure if it's really the case with the preamp, but i've read about it in several places and was told the same thing by people in stores (i didn't buy it at media markt :tilt. There's lot's of audio stuff you need to break in first... speakers, etc. But yeah, you might be right about the preamp.
"A vinyl record has a groove carved into it that mirrors the original sound's waveform. This means that no information is lost. The output of a record player is analog. It can be fed directly to your amplifier with no conversion."
And regarding the records, it's not just the amp. Something as simple as an anti skating setting that is off can ruin the sound already. Have you ever listened to a record with vocals that aren't panned, and then had a play with the anti skating wheel? Wrong settings will distort the vocals (and other stuff) pretty noticeably.
And about the thickness... even if that might throw off the adjustments a little, it's still better if the table is adjusted to begin with i'd say. And it's not only about thickness, it's also if your cartridge runs parallel to the groves or not, over the whole side of the record. I've wanted to know the difference and adjusted the system using my old cartridge first, to me it did sound a lot better after everything was more or less within the recommended settings/measurements (i used my standard phono preamp from my hi-fi amp first, not the new dedicated one, so it was a fair comparison).
I know about the needle having to break in first, same goes for the preamp as far as i know.
I'm using an SL1210 MKII that i got about two years ago, never used and still sealed in the original box, so the condition is still like new (pic is not mine indeed).
The last two items are something that is not needed a lot (basically only one time to adjust everything, or if you change the cartridge). It's very important for records that the turntable is properly adjusted and the cartridge alignment is more or less correct as well. If you compare an adjusted system to a non-adjusted one, the difference in sound quality is quite big.
The alignment tool you could probably make yourself from a bit of paper and cardboard, the tonearm scale might be more difficult to make yourself (the one i got is the cheapest i could find). Staying within the recommended tracking weight of a cartridge is important as well after all.
PS: I'm also properly cleaning all my records (time consuming process) and got new inner sleeves. All the above things would be a bit stupid if all i'm playing is records with dust from the last 30-40 years on them.
I know a very skilled dude, but he's from scotland, which is a bit far i guess... :P
Why is it that when someone shares their opinion about your car, you instantly have to revert to talking crap about theirs? Can't take a bit of criticism, can you?